Things are about to get messy for free, over-the-air TV. This week, the Federal Communications Commission (FCC) passed a notice of proposed rulemaking that’s designed to allow broadcast TV stations to adopt the emerging ATSC 3.0 broadcast standard more quickly. If the FCC enacts these rule changes, broadcasters will no longer need to support the ATSC 1.0 standard that works with most TVs and tuners. Instead, they’ll be able to scale back their ATSC 1.0 coverage and even switch over to the new standard entirely. Broadcasters say they have no incentive to abandon ATSC 1.0 anytime soon, and that the rule changes would just give them more flexibility to support the new standard. Viewers, however, stand to lose clarity on how long their existing TVs will keep working with an antenna, and whether they’ll keep getting all the same content. Here’s what to expect next. What’s ATSC 3.0 again? ATSC 3.0, also known as NextGen TV, brings new capabilities to over-the-air broadcasts, including 4K HDR video, enhanced dialog, Dolby Atmos audio, and interactive content. Broadcasters started rolling out ATSC 3.0 in 2019, and stations in more than 90 U.S. markets now carry ATSC 3.0 channels. ATSC 3.0 is not backwards compatible, so viewers can’t access it unless their TV has an ATSC 3.0 tuner, or they have an outboard ATSC tuner box. Most TVs continue to ship with only ATSC 1.0 support, and external tuner boxes still cost upwards of $90. Only about 11 percent of U.S. households can get ATSC 3.0 today, based on broadcasters’ estimate of about 14 million compatible TVs sold to date. Broadcasters continue to support ATSC 1.0 today largely because of ATSC 3.0’s low adoption, but they’re also required to do so. Under current FCC rules, broadcasters offering ATSC 3.0 must simulcast “substantially similar” content under the old standard through at least July 17, 2027. Further complicating matters is ATSC 3.0’s use of digital rights management (DRM). Many broadcasters now encrypt their ATSC 3.0 channels, causing occasional problems for TV owners and inhibiting new over-the-air DVR products. This has only alienated the very tech enthusiasts and early adopters who otherwise might have advocated for ATSC 3.0’s success. All this has left ATSC 3.0 in a conundrum. The simulcasting requirements limit what broadcasters can put on their ATSC 3.0 stations, which in turn keeps demand low and leaves TV makers with little incentive to invest in new tuner technology. That, in turn, prevents viewers from having access to ATSC 3.0, making it harder for broadcasters to leave ATSC 1.0 behind. How long will ATSC 1.0 last? Broadcasters believe that freedom from simulcasting requirements will help them solve that conundrum. They’ve been petitioning the FCC to drop its simulcasting rules, set firm cutoff dates for ATSC 1.0, and even mandate that TV manufacturers include ATSC 3.0 support. This week, the FCC tentatively granted one of those three wishes, proposing to drop the requirement that broadcasters simulcast in ATSC 1.0 through mid-2027. If the commission votes to approve the new rules, broadcasters will be able to switch over to ATSC 3.0 at any time with just a 30-day notice to viewers. The FCC has also proposed relaxing the rules for stations that voluntarily continue to offer ATSC 1.0. Broadcasters seeking expedited simulcasting agreements would no longer need to reach 95 percent of their designated market’s population, and could instead serve their “community of license,” which might be narrower. They also won’t have to carry “substantially similar” programming across both broadcasts, which means they’ll be able to reserve some content exclusively for ATSC 3.0. None of this means ATSC 1.0 will disappear anytime soon. Broadcasters acknowledge that the ATSC 3.0 audience is still too small, and they claim there’s no incentive to withhold their most valuable content from the majority of their viewers. Still, the proposed rules could help them force things along, either by dangling exclusive content for ATSC 3.0 viewers, delivering their perpetually promised 4K feeds, or subtly degrading the ATSC 1.0 experience. It also gives them the power to set their own ATSC 1.0 cutoff dates. Broadcasters had petitioned the FCC to mandate an end to ATSC 1.0 broadcasts in the 55 largest markets by 2028, and in all markets by 2030, so that timeframe seems possible even if the FCC doesn’t set dates of its own. What happens now? Keep in mind that the FCC has not actually enacted any rule changes yet. The notice of proposed rulemaking still needs to be published in the Federal Register, which in turn will kick off a public comment period. That’ll run 60 days from the date of publication, plus another 30 days for replies. It’s unclear when that date of publication will be, especially with a federal government shutdown still ongoing. (You can already file comments today by searching for docket number 16-142.) The FCC must also work through some thornier aspects of the transition. It’s seeking comment on things like DRM, a potential tuner mandate for TV makers, and whether broadcasters should have to dedicate a specific amount of spectrum for television. (They’re eagerly eying unrelated uses for ATSC 3.0, such as enterprise datacasting, as new revenue streams.) The FCC also hasn’t ruled out hard cutoff dates for ATSC 1.0, and could revise its proposed rules based on feedback or propose further rulemaking in the future. One thing is clear, though: The way you get TV over the public airwaves is going to change, and it’s not going to be easy to navigate. Let’s just hope it doesn’t turn people off free antenna TV for good. 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Nvidia’s GPU Technology Conference isn’t making many waves for gamer or PC hardware crowds this year, perhaps because it seems to be exclusively interested in boosting hardware for “AI” and data centers. So it’s almost ironic that a phony version of the keynote livestream reportedly relied on generative “AI” to fake CEO Jensen Huang and send viewers to a cryptocurrency scam. A YouTube channel calling itself “NVIDIA LIVE” started a livestream shortly after the real Nvidia event began, which users on Twitter reported was a deepfake video of the CEO promoting a “crypto mass adoption event.” A QR code was posted on screen that sent viewers to a site that would reportedly turn their cryptocurrency around for a profit (instead of just stealing it, which was almost certainly what was actually happening). Tom’s Hardware quotes the fake Huang: “We’re postponing the main talk for just a moment to announce something truly special, a crypto mass adoption event that ties directly into Nvidia’s mission to accelerate human progress.” A speech-to-text transcript of the fake video rambles on with cryptobro buzzwords before claiming that any supported cryptocurrency sent to the linked wallet would be converted into Bitcoin and returned. That would mean Nvidia would be giving away billions of dollars to anonymous nobodies, apparently for no reason aside from “human progress.” So yeah, even if you couldn’t see through the deepfake video or voice, you’d have to be a few GDDR modules short of an RTX 5090 to fall for it. Reportedly the fake stream had almost 100,000 viewers at one point, more than eight times that of the real Nvidia livestream, thanks to being higher in YouTube search results for at least some portion of time while the real keynote was taking place. Exactly how many people were suckered isn’t clear. The video is long gone, of course, though the small-stakes YouTube user who reportedly hosted it is still visible. In the actual keynote, the real Huang was announcing a billion-dollar investment in former phone giant Nokia and waxing about humanoid robots. GTC moved from its usual San Jose home to Washington, D.C., apparently in the hopes of a little drive-by lobbying to the Trump administration. There’s something amusing about an Nvidia CEO’s image being used to fool people into a crypto scam, since Nvidia chips were the hardware driving the crypto bubble, and indeed are now being used in much the same way for generative “AI.” Read...

At a glanceExpert`s Rating Pros Very long battery life Feels like writing on paper Cloud storage & synchronization E-ink display with colors and touch functionality Concentration-enhancing work without distraction Handwriting is precisely converted into text Smooth use on multiple devices Cons High price Handwriting conversion only in the set language Our Verdict The Remarkable Paper Pro Move is a compact, impressive e-ink tablet with a color display and long-lasting battery that imitates the feel of real paper almost perfectly—it’s ideal for writing, reading and sketching. It was developed for concentrated, distraction-free work and impresses with precise handwriting-to-text recognition, although it could do with some fine-tuning for several languages. Particularly practical: a double tap with two fingers deletes small errors in the blink of an eye. The format of the Paper Pro Move is more compact than I would like. But that is of course a matter of taste.At a price of $499, the Remarkable Paper Pro Move is no bargain, but it’s a clear recommendation for frequent writers looking for a digital notebook with a real paper feel. Price When Reviewed This value will show the geolocated pricing text for product undefined Best Pricing Today Best Prices Today: Remarkable Paper Pro Move Retailer Price Remarkable 479 View Deal Check Price comparison from over 24,000 stores worldwide Product Price Price comparison from Backmarket Best Prices Today: Check today’s prices reMarkable Paper Pro Move: Specs Dimensions: 7.7 x 4.24 x 0.26 inches Weight: approx. 0.51lbs Display size: 7.3-inch canvas color display Resolution: 1696 × 954 pixels (264 ppi) Aspect ratio: 16:9 Processor: 1.7 GHz dual-core Cortex-A55 Memory: 2GB RAM Storage: 64 GB internal memory Battery: Rechargeable Li-ion battery (2,334 mAh) Networking: Wi-Fi 2.4 GHz and 5 GHz Connectivity: USB-C connection I love writing and drawing by hand and have always wanted a tablet that mimics the feel of paper. When I was allowed to test the Remarkable 2 in 2020 and the Remarkable Paper Pro in 2024, I was hooked: It just felt right and I’ve only worked with these tablets ever since. Admittedly, they are very minimalist and quite expensive. But when it comes to the best writing experience on an e-ink screen, there’s no way around the Remarkable tablets. I’m admittedly a Remarkable fanboy. And this fanboy was allowed to let off steam again with the brand new Remarkable Paper Pro Move. A Remarkable Paper Pro that you can stick in your back pocket, so to speak. If you are not yet familiar with Remarkable tablets, then I advise you to read on. You’ll be surprised how good it can feel to write on a tablet. reMarkable Paper Pro Move: Unboxing and first impressions The Remarkable Paper Pro Move has arrived and the packaging is similar to its predecessors, only much smaller. The Remarkable Paper Pro Move is here, with Book Folio. Jérémie Kaiser As soon as you unpack it, you realize that the Remarkable Paper Pro Move is no ordinary tablet. It comes in high-quality packaging that immediately conveys the feeling of holding a premium product in your hands. Remarkable Paper Pro Move: Unboxing Jérémie Kaiser Everything looks well thought out, from the design to the accessories to the first switch-on. Since I know the Move’s big brother, I can already say that the tablet is a slim e-ink tablet that has been specially developed for paperless and distraction-free work, such as writing, sketching and editing documents (e.g. adding annotations to a PDF file). The writing experience is almost paper-like and all content created on the tablet can be saved in the cloud and edited synchronously on different Remarkable tablets. reMarkable Paper Pro Move: Design Like its big brother, the Remarkable Paper Pro Move is a slim and minimalist e-ink tablet with 64 GB of memory. It measures 7.7 x 4.24 inches and is very thin at 0.26 inches, but slightly thicker than the Paper Pro. At 0.51lbs, it’s almost half the weight of the Remarkable Paper Pro though. The Remarkable family: Remarkable 2, Remarkable Paper Pro and Remarkable Paper Pro Move. Jérémie Kaiser The casing remains true to the familiar design: simple, modern and in a subtle grey. Magnets on the back hold the Book Folio securely in place, while fine longitudinal grooves on the sides ensure a non-slip grip. Paper Pro Move: The design has remained the same, only smaller. Jérémie Kaiser Paper Pro Move: The feet are also magnets for the Book Folio. Jérémie Kaiser The Marker Plus with spare tips. Jérémie Kaiser The USB-C port is located—as usual—at the bottom left, the on/off switch at the top left. The supplied Marker Plus adheres magnetically to the right-hand side of the device, where it is also charged wirelessly. reMarkable Paper Pro Move: Display The display is 7.3 inches in size and has a resolution of 1696 × 954, with 264 PPI. The newcomer also relies on E-Ink Gallery 3 technology, which allows the tablet to display up to 20,000 colors. Touch function is available. The resolution is high and the lines are clear and precise as usual. It should be noted that the tablet is not designed for professional illustrations, but is ideal for sketching drafts, ideas or templates. The backlighting of the display is marvelous. This makes it easy to read or write even in the dark. The lighting can be adjusted in five levels, from completely off to brilliantly bright. These levels can be set to “extra bright” in the settings. However, the backlight is difficult to activate in complete darkness if you’ve previously forgotten to switch it on. The tablet’s response time with the pen is 12 milliseconds. Pressure sensitivity is available. And another highlight: if you make a mistake, you can either tap the display with two fingers to undo it or use the back of the marker as an eraser. The canvas color display is particularly low-reflection and produces colors using millions of microscopically small ink particles. These consist of the colors white, cyan, magenta, and yellow and are precisely controlled for each individual pixel. reMarkable Paper Pro Move: Software and functions Anyone who already owns a Remarkable will find the new Paper Pro Move easy to use: scan the QR code, enter the code and all documents and settings are automatically transferred. The tablet runs the Linux-based Remarkable OS (version 3.22.0.65), which receives regular updates for new functions and greater stability. Various tools such as ballpoint pens, pencils, calligraphy pens, and markers are available for writing. In addition to black, grey and white, there are six additional colors. Several layers facilitate illustration work in particular. Various tools such as ballpoint pens, pencils, calligraphy pens and markers are available for writing. Remarkable In addition to the backlighting, the handwriting-to-text function is another highlight. This is ideal for processing handwritten notes in Word. However, speech recognition remains a weak point: mixed texts in German and French still lead to errors. Paper Pro Move supports PDF and ePub files, enables handwritten notes, text search, and clear file management. Documents can be tagged, sorted and bookmarked—ideal for anyone who wants to work in a structured way. Thanks to cloud synchronization, all notes can also be accessed on a PC, app or other devices. Services such as Google Drive, Dropbox, and OneDrive make sharing easier. The Remarkable Paper Pro Move also offers numerous templates, such as lined pages, calendar layouts, or sheet music, and can be secured using a PIN code. reMarkable Paper Pro Move: Battery The Remarkable 2 and Remarkable Paper Pro had an excellent battery life. Even after a month and a half without using either of them, there was still enough power to continue working immediately. The Paper Pro Move is also impressive in terms of battery life. According to the manufacturer, the battery can be charged from 0 to 90 percent in just 45 minutes and lasts around two weeks in normal use—and even up to 90 days in standby mode. A long-term test is still pending, but after five days of intensive use, the battery was only one bar out of five. reMarkable Paper Pro Move: Accessories The Book Folio is a custom-fit protective cover for the Remarkable Paper Pro Move. It reliably protects the tablet without restricting its use. The robust material closes magnetically, holds the device securely in place and makes it easy to remove. When closed, the Remarkable automatically goes into sleep mode and is reactivated when opened. There is a loop on the right-hand side to prevent the marker from falling off. The Book Folio is available in three versions: Premium Leather in black or brown, Mosaic Weave in basalt, burgundy, or cobalt and Polymer Weave in grey. The Book Folio in several versions. Jérémie Kaiser Read...

You’ve probably heard of Grammarly, the AI spelling and grammar checker. But with a rebrand, a consolidation, and a new AI agent, Grammarly now fact-checks your business communications using what it knows about current context. It’s difficult to describe this iteration of Grammarly, now renamed Superhuman, and its suite. (Fortunately, the company put together a short GIF describing how it works, which is embedded below.) Essentially, the Superhuman suite and its Superhuman Go app run various agents against your own (or AI-generated) copy, correcting any mistakes you inadvertently made about a variety of topics. Consider this example: you’re emailing a coworker, Erica, about a sales call to be held tomorrow at noon. If you misspelled “Erica,” you’d expect that it would be underlined, indicating an error. In this case, if the meeting was moved–and if Superhuman was connected to your Google Calendar–it would underline the meeting time and suggest you rewrite it with the new time instead. If the subject of the call changed, this too would be highlighted, as long as the CRM service was looped in. The Superhuman suite is fact-checking your email, but it functions more like a spellchecker. Superhuman The Superhuman suite includes Grammarly, the Superhuman Mail program, the Coda all-in-one workspace, and the Superhuman Go AI program, which connects all of them together. It certainly isn’t cheap; Superhuman is charging $25 per user per month for a Starter subscription, with a more advanced Business sub that pulls in some additional features. However, the Go features will be free at no additional cost through Feb. 1, 2026, and the technology will be available to Grammarly and Superhuman suite users on Chrome and Microsoft Edge. Windows and Mac users will add the new Go capabilities “soon,” Grammarly said. The Superhuman suite allows users to move between the apps themselves, such as the Superhuman Mail interface, the Grammarly AI writing tool, and the Coda workspace. But the secret sauce will be the agents themselves. Superhuman is launching an agent store where users can download specific agents. These include Google Workspace tools, Microsoft Outlook, Atlassian Jira, and Atlassian Confluence, available today. Some partner agents are designed for specific tasks, like Fireflies, Common Room, Latimer, Parallel, Radical Candor, and Quizlet, which are also available today. The premise is familiar: connect more agents to the applications, give them access to more of your data and, supposedly, your productivity will improve. Superhuman and some of the available agents.Superhuman Grammarly/Superhuman said that “nothing changes” in terms of the products and their privacy protections. “The company does not sell or monetize user content, ensures users are in control of their data and own what they write, and does not allow its third-party service providers to train their models on user content,” the company said. Read...

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First, there was generative AI, allowing creators, editors and memelords to create artificial worlds with just a few words. Now, Adobe is offering the ability to edit those worlds with Prompt to Edit, a new feature within Firefly plus audio. Photoshop is also adding generative upscaling and a “harmonize” feature, too. Adobe announced the new capabilities at its Adobe MAX conference, where it typically rolls out new capabilities within its Adobe Creative Cloud suite as well as Firefly, its AI image generator — which now includes soundtracks and AI voiceovers. Obviously, users have the ability to use Firefly to create entirely new images or use one of Adobe’s other tools to make edits to the finished product. But Prompt to Edit is probably one of the more interesting additions to Adobe’s set of tools. Firefly’s Prompt to Edit capability is generally available to customers today, Adobe said. However, it remains to be seen how effective it is and how much Adobe will “charge” in terms of image credits. Firefly’s new capabilities also include new models from ElevenLabs and TopazLabs, and the ability to create 4-megapixel models, which means images up to 2560×1440 pixels. Until December 1, however, that’s a moot point. Adobe will allow unlimited AI image generations as well as the Firefly Video model until then, the company said. Adobe added a Firefly Video Editor in private beta, which includes a timeline editor for trimming and organizing clips, with the ability to add start or end frames. Users will be able to perform edits using the video editor or via a text transcription. Concept art of Adobe’s new music soundtrack generator.Adobe Firefly users will also be able to add a soundtrack, too. Adobe is debuting the commercially safe Firefly Audio Model for background music as well as the Firefly Speech Model (plus another from ElevenLabs) for voiceovers. This comes as OpenAI reportedly is thinking about its own music generator. Suno, a dedicated AI music generator, also released an updated “4.5 All” model to the general public on Tuesday. Adobe also previewed “Project Moonlight,” an AI assistant which sniffs out a creator’s social channels and makes recommendations based upon the existing content. Photoshop, Premiere, Lightroom add AI improvements Adobe’s additions to Photoshop include generative upscaling and a new “harmonize” feature. Generative Upscale is a feature that Topaz Labs has offered for years; image upscaling is also built into Windows, though you’ll need a Copilot+ PC to enable it. Essentially, upscaling takes a low-resolution photo or image and intelligently adds pixels to it, effectively turning it into a more detailed image. Adobe says that you’ll be able to create up to 4K images using the new feature. Harmonize also uses AI to blend people or objects into new scenes, which very much sounds like the traditional “Photoshopping” of images that the online community has embraced. Harmonize is used for “matching light, color and tone for natural, realistic results—completing the bulk of the compositing process,” Adobe says. Photoshop is also adding Google Gemini 2.5 Flash Image, Black Forest Labs FLUX.1 Kontext and Firefly Image Models to its Generative Fill capabilities. All of these are available today. Adobe doesn’t seem to have added the Prompt to Edit capability to Photoshop yet, but the company did show off a “limited private beta” of an AI assistant in Photoshop that appears to offer similar changes. It’s an improved version of tools like Copilot Vision in Windows. Adobe is testing an AI assistant for Photoshop.Adobe Meanwhile, Adobe is adding an AI Object Mask to Premiere, a public beta. The technology “automatically identifies and isolates people and objects in video frames so that they can be edited and tracked without the need for manual rotoscoping,” Adobe said, “Object Mask makes the process of color grading, blurring and adding special effects to a moving background quicker and easier.” Finally, Adobe is testing “assisted culling” in Lightroom, which will assess and pull out the “best” images in a collection, using focus, angles and sharpness as metrics. Read...